Comment

Comment by DonaldChristopherAdrianRobinson on December 23, 2009 at 2:35pm

Le-ul, I hope you realise too; we can now postulate and propogate a theory whereby the ancients were clever enough to have realised how to harness the interaction between metal and nature creating laser-beams capable of cutting rock without the need for electronics and machinery to artificially generate the beam. They knew back then something profound and yet we don't seem to hear much about people using such simple but efficient and naturally responsible techniques today?
Don :)>

Comment by DonaldChristopherAdrianRobinson on December 23, 2009 at 2:29pm

I suppose ordinary white kiln-clay (like eberhard fimo which is clay you can kiln in a kitchen oven, without the need for an industrial ceramics kiln) would be the easiest bowl to make which is white so as to not absorb heat. Thank you, I think we cracked that nut together.
Don. :)>

Comment by DonaldChristopherAdrianRobinson on December 23, 2009 at 2:24pm

I thought of using what refactory crucibles are made of. Artificial carbon; a half inch thick black layer of it as an external 'egg shell' then painted a bright colour so as the dark carbon doesn't absorb external heat, and to insulate between the skin of the palm and the heated metal as a sort of safety shield or make a carved white marble bowl which should be totally heat-proof? One of those should work.
Don :)>

Comment by Le-ul on December 23, 2009 at 1:58pm

No problem,anytime, that's why we're here. Each 1 teach one right? Groovy beard,LOL.
OK...Back to business. Stone! I do innerstand why you thought of wood as a good mount, however the intense heat that will be generated concerns me when I think of wood. Stone however would be much stronger considering what we're dealing with here.
Divine Love, Light, Peace, Protection, and many Blessings

Comment by DonaldChristopherAdrianRobinson on December 23, 2009 at 1:36pm

I intend to buy about 200 grams quantity each of the metals (you've seen I have a silver one; though I have to turn up another steel hemi-sphere 'dolly-stake' to perfect the bowl shapes over) but I think it would be interesting to make these in each elemental metal and then wait until the sun decides to show its face again, and go buy little chunks of rock and set them up and experiment. I also think it would be interewsting to see if the lasers could be made to work well enough to form a sculpting tool for big lumps of rock (hand held - do you think I need to mount the laser-lens dishes in wood or stone mounts to protect the skin of my palm from heat build-up through light condensation in the metal?) and see if the principle can be used to sculpt in big bits of rock and granite through a sort of hyper-acceleration of natural light, as the chisels.

Thanx for your time. Peace, and may all the blessings the Universe can bestow be given to you as and when you seek them. Don. :)> (my smiley has my beard.)

Comment by Le-ul on December 23, 2009 at 1:28pm

Yes I do think that the use of different alchemical metals will produce different intensities.Think about the vibration, that's what significant! Each thing has it's own vibration to maintain structure within whatever existence it may be in. Therefore this can be no different in and with inanimate objects. Each has a specific vibratory rate. This very rate is what distinguishes it from all else! So there has to be differences in each focalization of sunlight no matter how minute.

Comment by DonaldChristopherAdrianRobinson on December 21, 2009 at 2:41am

Hello Le-ul. I had a theory and wondered what you thought. If you see my album to do with Corpus Luna (Body of the Moon; latin translation) you'll see the silver sphere. I have to polish the insides of the one that I made to a high mirror finish (up to about 1200 wet'n'dry should be good enough) so that the perfectly concave parabolic inner surface will concentrate a beam of sunlight and make it a primitive focalising laser to melt-carve rock rather than the physically exerting use of 'hammer-stones' (harder granite and obsidian pieces shaped to be able to grind according to work rocks in a similar fashion to how the sun, sea, and wind do it to mould and re-mould cliffs over a longer span of time). Do you think that the use of different alchemical metals then polished to focalise sunlight would mean the resulting ray would have different intensities as it passed focalised back through different metal surfaces?
Don